Popcorn Culture
Ruminations on TV Shows, Comics, And Music
It's hard to believe that we're almost caught up with the current seasons of Star Trek franchise shows, but we are. There are, at the time of this posting, 850 hours of Star Trek programming. Obviously, we haven't watched all of it. But all of it worth watching? We're getting there. In this season we get a very abbrevriated mirrorverse timeline for Picard. Strange New Worlds and Lower Decks battle to be The Most Fun Star Trek Series, even crossing over with one another. There's a ton of Voyager lore in Lower Decks and Prodigy this season, so we'll even revisit them. 1. The Trial Never Ends
(Picard, Q, 7of9, Guinan, Rios, Raffi, Jurati, Elnor, Dahj) It's a shock to see a Q episode without the letter Q in the title but here we are. This episode sets up an entire season long Mirrorverse adventure. It's ... So Boring. We'll be skipping most of it. But the setup was mostly fun, which is what we get here. 2. The Broken Circle (Spock, Uhura, Chapel, M'Benga, Pelia, La'an, Ortegas, Pike, 1, April, Jay) It's been a while since we checked in with the crew of the USS EverythingsGreat Partytime, but let's see what they've been up to. Oh no! #1 has been arrested for being an Augment within Starfleet. While Pike leaves the ship to help her out, Spock STEALS THE ENTERPRISE, along with the rest of the crew, to answer a distress call from La'an that insinuates the possible beginning of a Klingon uprising against Starfleet. Also, there's a new engineer played by Carol Kane, and she is a delight. 3. The Slingshot Effect (Picard, 7of9, Rios, Raffi, Jurati, Borg Queen, Elnor, Q) The old Slingshot maneuver comes through in the clutch again. As Picard's crew finds themselves in an alternate timeline, they must assemble and go into the past to fix something that Q did to mess up history. The kicker? In this world, they're all fascists and are about to exterminate the being most likely to help them reach the past: The Borg! 4. Crossroads/Masquerade (Dal, Janeway, Gwyn, Rok, Zero, Pog. Okana, Murf) The crew of the Protostar realizes the only safew way to engage Starfleet is to abandon the ship for a bit. This does NOT go well, especially when Actual Janeway figures out where they are. Then we find out more about what Dal is before The Romulans show up to try and ruin everything. Stupid Romulans. 5. Ad Astra per Aspera (Pike, 1, Batel, Spock, Chapel, Ortegas, M'Benga, LA'an, Uhura, April) Easily my favorite legal episode in the entire franchise. This is a whole episode about Civil Rights centered around The Augments. It's the best example in decades of what I've always imagined Rodenberry's intention was for the Star Trek franchise. 6. Preludes/Mindwalk (Dal, Janeway, Gwyn, Diviner, Vindicator, Rok, Zero, Pog. Murf) We begin with the origin stories for The Protostar Crew unfolding as The Vindicator helps the amnesiac Diviner try and remember his past. Then we get a classic bodyswap as Dal and Actual Janeway switch places. 7. Tomorrow And Tomorrow And Tomorrow (La'an, Kirk, Pelia, Spock, Uhura, M'Benga, Ortegas, 1, Khan, Jay) When La'an is recruited to save the timeline from The Eugenic Wars, she ends up traveling meeting Kirk on her quest to kill her ancestory KHAAAAAAAAAAAAAN. 8. You Can't Have Your Mirror Glazed Cake And Eat It Too (Picard, Soong, Dahj, Guinan, Q, 7of9, Raffi, Rios, Jurati, Elnor) While we're investigating alternate timelines where a Soong messes everything else, let's check in with Picard in the 21st century as he and his crew have to figure out a way to repair their ship, fix the timeline, and get back to their reality. Unfortunately, a crew member merges with the Borg Queen and aligns with both Q and Soong to make everything extra extra difficult. 9. Inheritance (Data, Picard, Riker, Worf, Laforge, Troi, Crusher) So much of the Soong dynasty is about daddy issues, but sometimes they have mommy issues, too. Data ends up in that cursed Rigel system to learn more about his past from someone a bit more trustworthy than Lore or his creator. He hopes. 10. Among The Lotus Eaters (Pike, La'an, M'Benga. Ortegas, Spok, Uhura, Chapel, Batel, 1, Jay) Has anything good ever happened in the Rigel system? Oxes, terrible video games, doomsday devices, Riker in a bathrobe chasing prostitutes. Oh, and, of course, the whole Pike being captured and tormented and ending up paralyzed waaay back in TOS. Well, this time he's trapped again, and he and the crew on the ground lose their memory making it difficult for them to escape. Which seems fine as the crew back at the ship have also forgotten who they are and how to do their jobs so how can they possibly rescue the ground crew? 11. The Europa Prophecy (Picard, 7of9, Raffi, Soong, Borg Queen/Jurati, Rios, Q, Guinan, Dahj, Elnor, Wesley) Our Picard-era time travel journey comes to a close as dying Q, evil Soong, and conflicted Borg Queen's plans all either ravel or unravel (same thing) to place everyone back on the timeline where they belong. Well...not everyone. 12. Those Old Scientists (Boimler, Pike, 1, Spock, Mariner, Uhura, Chapel, La'an, Tendi, Rutherford, M'Benga, Ransom, Pelia) It's our first ever live-action/animated crossover as the crew of the Cerritos checks on a portal which results in them ending up on Pike's Enterprise! 13. Learning Curve (Janeway, Tuvok, Torres, Chakotay, Neelix, Doctor, Kes, Paris, Kim) One of the rare Voyager episodes that spent time dealing with the differences between Starfleet and The Maquis, this episode becomes very relevant to the next Lower Decks episode. Not as relevant as "Tuvix" but we did see that already in this chronology. 14. Twovix/I Have No Bones Yet I Must Flee (Boimler, Mariner, Tendi, Rutherford, Freeman, Ransom, Rom, Leeta, Shaxs, T'ana, Billups, Kayshon) It's Voyager-mania! Boimler and the crew of the Cerritos end up on a mission to help move important artifacts from Voyager to a museum dedicated to the ship. Unfortunately, the same brouhaha that caused the original Tuvix problem gets involved and we end up with a whole Cerritos worth of jumbled crew members. Then a visit to a space menagerie (which never go well for Starfleet), the crew is stalked by Star Trek's version of Nibbler from Futurama. 15. Faces (Torres, Janeway, Chakotay, Doctor, Tuvok, Neelix, Paris, Chakotay, Kes, Kim) Keeping on keeping on with the Voyager energy, we revisit the series to explore Torres's Klingon side as she explores how it balances her humanity. 16. Under The Cloak Of War (M'Benga, Pike, Spock, Ortegas, 1, La'an, Uhura, Chapel) On Pike's Enterprise, a Klingon war criminal/hero presents a very dire conundrum to the crew. 17. Supernova (Dal, Rokh, Janeway, Zero, Gwyn, Pog, Noum, Diviner, Murf, Drednok, Chakotay) It's the final (so far) episode of Prodigy as the crew of the Protostar and Starfleet unite to protect Gwyn's homeland, and then they must decide whether to enter a time portal in order to save Chakotay and the original Protostar crew. 18. Subspace Rhapsody (1, Uhura, Pike, Kirk, Ortegas, Spock, La'an, Kirk, M'Benga, Chapel, Pelia, Batel, Sam Kirk) Because no one demanded it! The musical episode of Star Trek Strange New Worlds. It ain't "Once More With Feeling!" but it is fun. 19. Empathalogical Fallacies/Parth Ferengi's Heart Place (Boimler, Mariner, Tendi, Rutherford, Freeman, Ransom, Shaxs, T'ana, Billups, Kayshon Betezoids & Ferengi? Clearly we've moved back a little from Voyager to TNG/DS9 times with a story about controlling emotions and a story that bring Rom & Leeta back to our screens! 20. Hegemony (Pike, Spock, Chapel, Uhura, La'an, Ortegas, M'Benga, Scott, Pelia, Batel, April, Sam Kirk) OH NO!!! The Gorn are back and that means death, destruction, and dissolution for the crew of Pike's Enterprise. Also, we sort of end on a cliffhanger for the first time in a long while.
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Blink-182 hit it big on MTV during the summer of Boy Bands, 1999. It was a relief for me. I do greatly enjoy non-rock pop music, and I've grown to appreciate a few of the boy band songs that came out during that summer but it so saturated my music sources that I couldn't turn on a radio or TV without hearing about how rock and roll was dying. Which I've heard every year since. Rap is killing rock. R&B is killing rock. Reggaeton is killing rock. Sea shanties are killing rock. It's tiresome. While rock is probably my favorite genre, I would hate it if it was as omnipresent as boy bands were in 1999. Or if it was all one genre instead of a variety of subgenres lumped together. You know, like rap is a variety of subgenres lumped together and R&B is a a variety of subgenres lumped together (but not like Reggaeton or sea shanties, Reggaeton and sea shanties are subgenres). Because I had a roommate/parastic pseudo-boyfriend who found boy band videos arousing, I was grateful for any break in the melodramatic harmonizing. "All The Small Things" was the break I needed, and "What's My Age Again" was the perfect accompaniment to Lit's "My Own Worst Enemy" and Len's "Steal My Sunshine". It was a Sugar Ray/Smashmouth style, sun-drenched pop song about how growing up was tough. Written and performed by people in their twenties. Like I was. Since then, the band has evolved into something less frat rocky, and put out a bunch of side projects that sound like completely different bands but with the same nasally vocalist. I didn't really chart their trajectory mush as it happened. I moved onto other bands. But I heard their most recent single and thought "I wonder what they did inbetween." And then remembered how many Angels & Airwaves songs I heard on the radio in the early 2000s. I thought their musical output deserved a deep dive and a discography buuuuuuuut I didn't want to do six posts about Blink-182, so here is one post with three albums worth of material. Part two is in the works. I. Enema Of The State
The 1990s Blink-182 were crass frat boys making dick and fart jokes, asking women in their audiences to show them their breasts, and other immature things you can imagine a trio of skate pop punk wannabes with puka necklaces doing if they got famous in the late 90s. I don't want to celebrate that but I can't deny that's who they were. This first album culls the tracks I enjoyed from their 90s output, and interweaves them with some of their live show banter from the The Mark, Tom, And Travis Show live album. It's crude (though I did edit out the boob requests and the times when the band was pointing out people in trouble to security members) and not actually very funny but it's who the band was. Well, except Travis Barker who didn't participate outside of the occasional rimshot. 1. Time is a track off their demo album, Flyswatter. It starts off with acoustic strumming but when the drums hit it becomes surf punk. They do some very poppy background vocals that aren't going to show up anywhere else in the discography. It's a hard, fast, and fun song about punctuality. 2. & 3. The band's first hit, which I missed when it came out, even though it must have been playing on several of the stations I listened to, is Dammit. This is a typical 90s juvenile song about the end of a relationship and how it means they're growing up. This theme continues on Untitled. Don't worry, though, they're not growing up for a while. 4. Degenerate is stupid, poppy punk with juvenile lyrics about being badass. Musically, it's upbeat fun, lyrically it's homophobic misogynist trash but it only advocates violence against the protagonist, who is the homophobic, misogynist trash in question, so...swings and roundabouts? 5. A less problematic, but not entirely unproblematic, version of that song is Anthem. A song about wishing you were the ancient age of 21, you know, so you can buy alcohol. It's also about being a time bomb because living with your parents is Just Like Slavery. It's an entirely realistic teenage rebellion song from the 90s. 6. While all their songs from this era are pretty juvenile, some are surprisingly progressive for their era. Don't Leave Me is a breakup song where the girl who dumps him isn't villainized or pined over. She outgrows him (probably a short journey) and moves on. And while he's sad about it, he is also going to move on and be okay. 7. The second of the three megahits from this era, What's My Age Again is a very silly look at being a shitty twenty-something. 8. & 9. Another quasi-mature breakup song, Point Of View, tells a similar story to "Don't Love Me" but harder and faster. It's followed by Man Overboard, dedicated to Scott Raynor who got kicked out of the band during their first massive tour, and replaced by Travis Barker, who's been the drummer ever since. There's also a bunch of fun Aquabat references, as that was the band Barker was poached from. 10. & 11. & 12. A medley of stupid songs with penis references. Does My Breath Smell is generically lyriced dumbassery. All The Small Things is the third of the three megahits and a perfectly fun song about a supportive girlfriend. Country Song is dumb as shit and devolves into a brief cover of a song from South Park: Bigger, Longer, Uncut. 13. Josie is a distinct departure from the previous three songs. It's another catchy song about how the singer is kind a piece of shit but he has a supportive girlfriend whom he loves. 14. & 15. Another descent into juvenile humor. You can probably guess that from the title of Dick Lips that it's not going to be classy, But it's not about blowjobs or sexualizing anyone, it's another song about being a shitty dudebro who wants to escape his parents' tyranny. Dysentary Gary is another song about being shitty and wanting to protect girls from shittier guys. It's wildly dumb and problematic. Sort of a pedophile savior song with a catchier guitar hook than it deserves. 16. A nice contrast is the light humor of A New Hope, a love song to Prince Leia. It, shockingly, doesn't mention incest. I fix that by adding a minisong that does. 17. & 18. Fentoozler is a Who the fuck do you think you are rant about their immaturity act growing stale. Don't worry, though, we're Just About Done with your butt. 19. I'm Sorry about some of the lyric on this album, and I'm pretty sure the band is at this point, too. This song is yet another we've grown apart because at least one of us is maturing track. It's probably where I should have ended the album. But... 20. American Pie is a perfect place for a Blink-182 song, as it's also a 90s celebration of growing up that's filled with immature dick and fart jokes. Mutt showed up on the soundtrack. It's a song about a roommate who fucks a lot. I've been both the guy with the horny roommate, and I've been the horny roommate. I don't really miss my twenties that much, though. II. The Box Car Racer EP We got through twenty mostly immature songs in under an hour. This second album is just twenty minutes. It's a huge departure, musically and lyrically. But it's over before you know it. 1. All Systems Go is a generically lyriced anti-government song. Think: the weakest of Green Day lyrics with great drums and key/time signature changes. 2. & 3. & 4. The drums take over for a bit when we move to a song about jumping off a bulding. Elevator's first verse is from the point of view of the jumper, the second verse is from an observer. Tiny Voices is the screaming internal monologue of someone depressed and pessimistic about their future. Watch The World is a preview of the upcoming Angels & Airwaves album. It's musically melodramatic and different from everything that's come before it and, like the forementioned upcoming album, it's about watching the world burn. 5. & 6. Every Blink-182 album needs a love song. And I is this album's unrequited punk ballad. Cat Like Thief is the I'm shitty but I have a killer girlfriend track for this album, and it closes things off by chanting how he needs to not leave her. It features Rancid's Tim Armstrong on co-lead vocals! III. All Grown Up And No Place To Go 1. We're back to the familiar drums and guitar riffs of Blink-182. There's a bit too much Jesus in this help me political complaint that supposedly signifies maturity. I guess compared to "What's My Age Again", Anthem Part Two is "mature" but it's really reminiscent of that thirty-year-old friend trying to sound deep by repeating the headline statements of his smarter friends as though they were his own opinions. Or, it's like listening to a four-year-old semi-parroting his parents' complaints abiout the economy. It's definitely Blink-182. 2. & 3. On the other hand, I Miss You really is a more mature version of the Blink-182 love ballad. Although the way Tom Delonge describes how you're already the voice inside my yed (sic) doesn't really gel with the message. But it's a good feed into Asthenia which is musically more mature but lyrically still caught in the early 20's whiney I-miss-you-so-much-but-can-only-write-generic-lyrics-rather-than-honor-your-specific-personality headspace. Like much of this era of Blink, I wish they had a better lyricist and gave Mark Hoppus more time as the lead vocalist. 4. At least the band acknowledges their aging in Give Me One Good Reason. Instead of complaining about how mom and dad don't understand them, they're complaining about how moms and dads don't understand their kids. It's still kind of a dopey song that doesn't quite say what it thinks it's saying. 5. & 6. Snapping, bass drum, and a buzzier than usual guitar riff are a promising start to Violence. Even the first vocal verse promises a completely different musical experience, then DeLonge launches nasal cavity first into the chorus. It's still a nice departure from their usual fare. The piano outro is also...unexpected. I've followed it up with The Fallen Interlude. It's nearly instrumental, apart from a repeated line near the end. It's a welcome branch off their musical tree. 7. & 8. & 9. DeLonge returns to the forefront with I'm Lost Without You, which is a more wistful and melodic version of their usual ballad until the second verse hits when it becomes a Blink-182 ballad. Obvious, true to its title, never tries to be anything other than adolescent anger at an ex. There's an almost The Strokes vibes to Everytime I Look For You before, it too becomes a kind of generic Blink song about a girl. 10. Robert Smith from the bloody The Cure shows up at the beginning of All Of This, and his inclusion really mellows DeLonge's vocals. It's a nice blend. It's no lyrical anomaly to the album but it does have enough of a different instrumentation to hook me. 11. First Date could very well have been from Enema Of The State. I guess it's more focused on the anxiety of trying to make a first impression than they were capable of on that album but it's optimism and 90s skate punk aesthetic seems nostalgic for this era of the band. 12. Stay Together For The Kids puts Hoppus back on the mic for the verses on this track about being children of divorce. It's a bit melodramatic, for having been written by guys in their early 30s, but it's an accurate reflection on a common source of teenage angst. 13. We close out with an absolute throwback to the immaturity of the first album, as I've included the band's interpretation of George Carlin's Seven Dirty Words routine, Family Reunion. The #1 song in the country this week was Jimmy Buffett's "Margaritaville", forty-six years after its original release. This is mostly to celebrate the life of one of the legitimately "good guys" in the music industry. An occasional pot smoking, cocktail swilling dad rocker who owned several businesses and by all accounts stood behind his employees in a way that should be taught to the soulless pieces of shit who own 90% of the businesses in The United States. Look up Jimmy Buffet and Hurricane Katrina for a ton of feel good stories. He's mostly known for his songs from the 70s and early 80s, when his tropically inspired rock was at its most marketable. But the truth is, he never stopped being an interesting songwriter, and his band only ever got better as it aged. I imagine most people, if they were going to make a multi album discography of Buffett would either lean in to this early work or else simply do their own personal version of "Songs You Know By Heart" (hey, I did that!) and then make a second album of everything after that. I understand that urge, and will probably make just three albums, the third being everything after 1996. This album exists because it contains the albums that came out during my high school and early college years when I was most easily influenced. I bought "Songs You Know By Heart" in high school because I had several friends, some coworkers from Cape Cod, some school friends from around the world, who loved him and exposed me to his most popular songs. I think that whole album was on the jukebox in my high school snack bar/performance venue. Then, a coworker took me to one of Buffett's live shows, and then I went to college in Florida. So this is the era I most listened to Buffett and am, thus more knowledgeable about it than any other point in his career. And I loved these albums. So please accept this as my "Songs I Know By Heart And Wish More People Knew All The Lyrics To." 1. After getting into Buffett mainly through the Songs You Know By Heart album, I hesitantly bought the first album released after I "discovered" him, Fruitcakes. Everybody's Got A Cousin In Miami is the delightful first song on the album that convinced me I was going to like his new work as much as his classics. It was bright and silly and made me wish I was drinking a virgin cocktail (I was underage.) It's kind of the perfect "Oh, did you know his career continued after his Greatest Hits album?" opening track.
2. The title track for this imaginary album isn't one that's stuck with me over the years. The lyrics are a little stupider than I usually like (I mean, what do you expect from a song called Mental Floss?) but they're refreshingly common man for someone who was incredibly wealthy by the time he wrote them. The harmonica playing off the steel drums is such an unusual combination that it adds a complexity that the song doesn't lyrically warrant. 3. Ballad Of Skip Wiley was made to sound famliar. The baseball stadium organ playing, the 1970s stage musical background vocals and riffs, the vocalist speaking over the bridge rather than singing. Surely, you've heard this song before, even if you don't know any of the words. This song is based on a novel from the 1960s about a reporter who loves his home state of Florida so much that he goes to extremes to protect its honor. I may have to track that book down. 4. I didn't include any of the songs from Buffett's Christmas Island album because I'm just not a fan of holiday music 360 days of the year. But I'm sure Buffett's take on December holiday songs are at least different from most rock or pop stars'. This isn't a December Holiday song, though. This is Buffett reminding you that you need to take some time off from work, and you should probably do it somewhere warm near an ocean. This might be the earliest reference Buffett makes to The Internet, which he suggests you take a break from. Musically, it's middle of the road Buffett, not a ton of creativity but the trumpet solo leading into the steel drum solo is a refreshing breeze of nostalgic air. 5. The early 20th century symphonic swell at the start of this song quickly quiets down to just guitar plucking, piano twinkling, and steel drums for Blue Heaven Rendez-Vous, which certainly has "My Blue Heaven" vibes, which I've been a proponent of ever since I fell in love with the same titled Steve Martin/Rick Moranis/Joan Cusack film that probably hasn't aged very well. This is just a simple mid-late twentieth century lounge number that could be found in any mediocre 80s or 90s romantic drama ... or a restaurant scene in a Muppets movie. I would love to hear Rowlf cover this. 6. Some soft drumbeats and guitars climb into this tropical soft rock declaration that Buffett never wants to be too famous so he's been Quietly Making Noise to achieve the level of fame he's most comfortable with. It's a sweet country fair sing-along style track. 7. The next track is a meditation on the importance of Buffett's songwriting, which makes it a good follow-up to "Quietly Making Noise." It also has some lyrics that remind you that no matter how wealthy and white Buffett and his followers tend to be, his politics are surprisingly liberal, if often absent from his work. Here he muses Are we destined to be ruled by a bunch of old white men/Who compare the world to football and are programmed to defend? Only Time Will Tell. 8. Fruitcakes is the longest track on this album, just a shade longer than the opening track. It's one of his songs referencing his book Where Is Joe Merchant?, specifically the rocket scientist, Desdemona. This is a delightfully silly song bemoaning political, religious, romantic, and scientific excess. It's also a powerful revolutionary song demanding the return of Junior Mints to theaters. 9. If there's a Whiter, Soft Rockier concept than Jimmy Buffett covering a James Taylor song, I haven't heard it. I was unfamiliar with the original until I heard this version. It's a daydream about life would be like in Mexico as imagined/written/sung by someone who's never been there, but would like to. It's then infused with a bunch of references to Buffett songs and stories. 10. I remember hearing the story of how Jimmy Buffett, Bono, and Bono's family were in a plane in Jamaica that was shot at by police who suspected it was a drug-running plane. Jamaica Mistaica is Buffett's processing of the event from his perspective with a chorus from the perspective of the apologietic Jamaican police begging them to come back/come back/come back to Jamaica, promising that the next time they fly there they won't shoot (them) outta the sky. 11. The Night I Painted The Sky is a piano ballad about being a kid and watching a Fourth of July fireworks display. Super simple, and sweet. With a harmonica solo. 12. Lage Nom Ai is a song I loved from the first time I heard the Barometer Soup album, but whose name I could never remember. The title is an integral part of the chorus, and is from the French Caribbean Patois, meaning "the man who gave up his own name", which the song reminds the listener repeatedly. 13. Shortly after Buffett's passing, I saw a couple of his videos where his daughter, Delaney, interviews him about some of his lesser-known songs. The first video I clicked on was him reminiscing about Delaney's childhood where he specifically talks about how she chase(d) cats through Roman ruins/stomps on big toadstools, and about a party where Delaney Talks To Statues and otherwise behaves like an endearingly weird child. It's like a slightly less saccharine version of Billy Joel's "Lullaby (Goodnight, My Angel)." 14. The second cover on the album is a steel drum version of The Grateful Dead's Uncle John's Band. It's to his credit that I like this song, as I'm not a big fan of The Grateful Dead's music. But this is a direct, lyric-centric cover of one of the jam band's most famous songs. 15. The 90s were the decade of The Hidden Track at the end of the CD. Treetop Flyer is Buffett's hidden track from Banana Wind. It's a Stephen Sills solo track (I didn't know Stills had solo albums until I did a deep dive on this track) from his debut album. It's slightly more country rock than Buffett usually leans but the lyrics about flying low to not get caught certainly harkens back to "Jamaica Mistaica," which was on the same album. 16. Lone Palms sounds like it would be more at home on Songs You Know By Heart. It's a smooth ballad about tropical living. It doesn't stretch Buffett's 70s/80s sensibilities. Even the lyrics seem more like his stoic 20s & 30s then the material he was writing in the 90s. 17. We close out the album with one of Buffett's favorite tropes from the era, writing about missing his childhood, discovering your heart/again and again. Jimmy Dreams is also a sweet memorial to him with just the right touch of steel drums. How To Watch The WWE In A Focused, Fun Manner Whether You're New Or A Long Time Fan, 14: Revolution9/13/2023 This season sees an exciting evolution in wrestling. We start with with the rise of NXT, WWE's developmental division. We introduced it last season, and saw The Shield graduate on to the main roster, but this season, the entire future of WWE goes through NXT. Current and future headliners, get their start, and Most Importantly, the womens' revolution gets underway as The Four Horsewomen (Charlotte Flair, Sasha Banks, Bayley, and Becky Lynch) put on some of the best wrestling matches of the year, regardless of gender. We also get our first glimpse of Japanese wrestling in a while. I understand that there are a ton of American fans of New Japan, Pro Wrestling Noah, All-Japan and more. I am unfamiliar with Japanese promotions' American commentary, so I've mostly avoided it. But this season, we see the birth of Bullet Club, which will not only include even more future WWE headliners, it's also the genesis for AEW, which is only a couple of seasons away. So we see a few episodes in Japanese this season, but we also see Bullet Club cross into Ring Of Honor, giving it a shot in the arm it desperately needed. Impact fades out for a bit this season, as their best stars scatter to other promotions, and their pay-per-view events go from monthly to semi-annually. And the quality does not increase with the decrease in quantity. I was torn by how to properly close out this season, as there aren't any real Super Touchstone Moments, so I went for what appeared to be Sting's last match. He's barely in this season, as his WWE run was incredibly short, but will give him a wave see-you-later here, knowing that he'll be back soon when AEW gets going. Season 14: |
1110. The Main Event Mafia It's an update on the NWO idea. Sigh. Only this time, it's Kevin Nash, Sting, Kurt Angle, Booker T, and Rick Steiner. We'll try and balance that storyline with some X-Division matches, and a good ol' Awesome Kong drubbing. Announcers: Mike Tenay, Don West 1. Kurt Angle vs Abyss in a Falls Count Anywhere Match 2. Sama Joe vs Kevin Nash 3. Sting (Impact Champ) vs AJ Styles 4. Chris Sabin vs Alex Shelly for the Impact X Division Championship 5. Awesome Kong (Impact Knockout Champ) vs Sojourner Bolt 6. Kurt Angle vs Jeff Jarrett in a No DQ Match 7. Ultimate X Match Alex Shelley (Impact X Champ) vs Jay Lethal vs Xavier Woods vs Chris Sabin vs Suicide 1111. No Way Out Easily the best scripted Elimination Chamber pay-per-view in history pays off immensely, followed by a satisfying Money In The Bank Ladder Match, and what's considered one of the best Wrestlemania matches in the history of the WWE. Announcers: Jim Ross, Jerry Lawler, Michael Cole, Tazz, Todd Grisham, Lillian Garcia, Tony Chimel 1. WWE Heavyweight Championship Elimination Chamber Match Undertaker, Triple H, Jeff Hardy, Edge, Big Show, Vladimir Koslov 2. WWE Championship Elimination Chamber Match John Cena, Chris Jericho, Rey Mysterio, Edge, Kane, Mike Knox 3. Money In The Bank Ladder Match Kane, CM Punk, Christian, Shelton Benjamin, Mark Henry, Finlay, MVP, Kofi Kingston 4. Undertaker vs Shawn Michaels 1112. Legacy We kick things off with the formation of the most promising stable that ever broke up too soon: Randy Orton, Cody Rhodes, and Ted Dibiase Jr. We also get some WWE veterans of the 70s and 80s coming back to feud with Chris Jericho (I guess Randy Orton was busy that week?). Announcers: Jim Ross, Jerry Lawler, Michael Cole, Todd Grisham, Lillian Garcia, Tony Chimel 1. JBL (WWE Intercontinental Champ) vs Rey Mysterio 2. Chris Jericho vs Jimmy Snuka, Roddy Piper & Ricky Steamboat 2. Jake Hager (WWECW Champ) vs Christian 3. Chris Jericho vs Ricky Steamboat 4. Jeff Hardy vs Matt Hardy in an I Quit Match 5. Legacy vs Triple H (WWE Champ), Batista & Shane McMahon |
3/17/2023
3/7/2023
819. Survival Of The Fittest Announcers: Dave Penzer, Jimmy Bower We close out the ROH portion of our season with some fantastic matches from the biggest names in the company. Sure, CM Punk is missing, but don't worry, he'll be back next season. And then some. 1. Daniel Bryan vs Homicide in a Lumberjack Match 2. Jay Lethal (ROH Pure Champ) vs Samoa Joe 3. Daniel Bryan vs Homicide in a Steel Cage Match 4. Four Corner Survival Match Jack Evans vs Samoa Joe vs Delerious vs Ebessan 5. Austin Aries (ROH Champ) vs Daniel Bryan 820. The Faces Run The Places Announcers: Jim Ross, Jerry Lawler, Michael Cole, Tazz, Jonathan Coachman, Todd Grisham, Josh Matthews, Justin Roberts, Tony Chimel We wind down a bunch of this season's storylines here, as JBL will fade out of the title scene, Carlito and Shelton will fall further down the card, and while the Evolution members will still be some of the most important people in the WWE, their matches with each other will serve more as nostalgia rather than driving the direction of the company. 1. 2.Carlito (Intercontinental Champ) vs Shelton Benjamin 3. Shawn Michaels vs Hulk Hogan 4. John Cena (WWE Champ) vs Chris Jericho vs Christian 5. Batista (WWE Heavyweight Champ) vs Triple H in Hell In A Cell |
12/28/2022
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