I struggled not to make my interaction "Someday, I Will Learn To Love Adam Stone" because I feel that is most of my poems these days. Instead, I took a different concept from Ocean Vuong's Night Sky With Exit Wounds. He has a poem called "Notebook Fragments" which contains a series of stanzas that might be from different poems he was working on an collaged together. This poem contains stanzas from interactions with Ocean's book, as well as other drafts of interactions that I ended up not using. The title is not related to Ocean's book, but from a story about adjective order in English writing and, specifically, JRR Tolkien's work, that keeps popping up in my Facebook feed this week. The Green Great Dragon
Adam Stone No more writing about speaking or silence Nothing that has disappeared was stolen Yes -- skin is an organ Yes -- an organ is also an instrument Yes nerves Yes chords Yes -- tickling is not just for keys Yes -- laughter is music Sure if the events we forget of order in they happened No which absolved we will not be The frequency beneath breath is common in the language where i was raised It's not about what you owe but how often you owe still Yes -- there is accidental consent No -- it does not lead to forgiveness an omission of yes )here is a list of all the dead celebrities you were sure would outlive you( Stop always writing about what you want to forget Burying your loss too close to the surface attracts predators
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InteractionalityAn ongoing conversation between writers and the text that they're reading. Archives
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