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Interactionality

Usually poetic conversations between authors and texts.

Teasing Out Fragments

8/5/2016

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Kelly Cooper responds to phrases and images from James Gendron's Sexual Boats (Sex Boats)​.

A Response To Sexual Boats (Sex Boats) by James Gendron
Kelly Cooper


I am not knowledgeable or in-tune
or out-of-tune enough to understand.

I came to poetry through metaphor
simile, word play, and white men
stayed for the women and the
revelation of blank verse and
the rawness of the other voice
the not-heard voice

not heard in my suburban town
suspended between the polo club
and poverty’s friends: the Red Cross,
the Salvation Army, the food stamps.

I grasp and turn and read, reread
Rereading I tease out fragments

          You can forgive the one
          who makes your life amazing

Pulling out words that glitter
Pulling the wire
Laughing at the unknowable

          The smell of the jagged mint leaf and the smell
          of one trillion farts pervade the atmosphere

I shake my head I
skipped a line or three
lost my place.

          On my side of the bed, I made a sweat angel

Truth or what passes
for memory flickers

          In fat I see myself distilled
          more honestly than in my face.

My childhood was all ragged knees
and pockets full

          All I ever had in my pockets is still there:
          hundreds of pounds of it.

My eyes burn with
anger exhaustion tears

          You can improve a star
          simply by turning it. The other side is fresher.
          It hasn’t been looked at as much.

My thoughts can’t track
the random elements
lacking throughline
I get lost.

          Ideas and I are at cross-purposes, like the wings of Christ.

Shake my head again
dislodging what-all
resetting my eyes

          I don’t know what an entity is, so I don’t trust entities. Entities are assholes.

And look again.

          Can the judge fulfill her duty
          and arrest the wicked sun, serial murderer?
          Or is she more of a pragmatist?

Have I chosen only
what I recognize?

          The Louvre is too big. Everyone knows & denies it.
          Like a hurricane: so big, it competes with the soul.

Only what speaks to me.

          I’m just a haunted question mark.

Only what I’m able to hear.
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It’s Like Being A Musician But Only Being Able To Play The Fart Machine.

8/5/2016

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James Gendron's Sexual Boat (Sex Boats) is one of my favorite random purchases. I was at the Association of Writers and Writing Programs conference when I ran into Anis Mojgani, and asked him to recommend some small presses. He pointed me in the direction of Octopus Books, and I think I ended up dropping about $100 and loving most of the books I picked up from them.

Sexual Boat (Sex Boats), in particular was a joy. I picked it for the unusual name, and that it appeared to be filled with several one page poems with unusual grammar. I loved it more than I understood it. So, in many ways, it was like the book and I had dated for several years.

The title of this blog post is from an interview with James Gendron where he talks about his writing process and comes off more quirky than pompous, which is pretty rare in poets.

The title of the poem is just a rewriting of the title of several of his poems (and his book). I tried to write it in an echo of his voice, as opposed to copying his voice. Then I had the word "echo" in my head, and I had to use it in the first line.

Intimate Dinghy (Affable Gondola)
Adam Stone
​

A stranger's name is a cave without echo
that I have grown too fat to fit into

When someone is
familiar but in the wrong
venue for me to
recognize them I try to
climb head first into their name but
always get caught at the shoulders

Hello and head nod is my 
nickname for my impending 
                                                       what's it called
                                                            not amnesia
                                                            when you have too many 
                                                            memories that you can't see
                                                            the ocean for the salt
                                                            oh yes
                                                            
Alzheimer's

In middle school I outremembered all
my friends and relatives perhaps because there were so
few of them

My imagination was 
feral but my memory was a squirrel
raised by a golden retriever
​
I still remember all of the 
answers to the trivial
pursuit cards of my childhood but
modern adult names are
                                              you know
                                              yea
​
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    Interactionality

    An ongoing conversation between writers and the text that they're reading.

    Adam Stone is reading multiple collections of poetry each week, and producing a piece of writing or a series of prompts inspired by the text. It might be a poem in the voice of the author. It might be a memory involving the person who suggested the book to him. He might steal the title of a poem and use it to create a collage about his oh-so-inspiring childhood.

    To help keep him accountable, he's asked other writers that he both likes and likes working with to join him in writing their own interaction or two. With their permission, some of their interactions will also be posted here, clearly tagged with their names.

    There might even be interaction between Adam's interactions and an interaction written by someone else. The only rules of this project is to read more poetry and create more art.

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All work on the Crooked Treehouse is ©Adam Stone, except where indicated, and may not be reproduced without his permission. If you enjoy it, please consider giving to my Patreon account.
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