Aimee Nezhukumatathil's collection, Miracle Fruit (recommended by Eliel Lucero) is definitely a collection I'll be pulling a bunch of props from. Imagine Tony Hoagland's straight-forward narratives and easily accessible, often humorous images, without the clunky middle-aged-white-guy-trying-so-hard-to-be-inoffensive-that-he-sometimes-becomes-offensive angle. I'm going to have to read this collection a few more times, not because I don't understand it but because I want to be as familiar with these poems as I am with early Mark Doty poetry. I especially enjoyed Nezhukumatathil's poetry about her relationship with her parents, how she expresses her relationships without either praising or victimizing anyone. As if family history could be described with anecdotes that were funny without shame or schmaltz. The poem, "Swear Words", in particular, reminded me of a conversation with my mother that resulted in the poem below. Coming Out To Biff Tannen
My mother's face was so relieved when i told her it wasn't cigarettes i was smoking but cock The stupid boy who didn't even look up when from the playstation when they sort of met My mother whose own hair fogged with tobacco from her own new man Made some playboy style joke about smoking and flaming Something that would have been twelve pages after the centerfold Only the true bathroom aficionados would know to laugh at it I did not Well she said that went over like a pregnant pole vaulter My mother once told me not to break up with my girlfriend because a bird in the hand is worth two in the bath My mother who would argue the trivialities of my backtalk by announcing It's six of one and half of another pushed into proper idioms as though all it ever took for her to be witty was a gay son or an honest son
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