I spent a couple of weeks working on a piece about almost getting into a fight at a Violent Femmes concert. And I think, eventually, that will become more than just a story I tell people about how when physical altercations are aimed in my direction, or the direction of those I care about, I use testosterone-fueled language and the stereotypes people attach to my appearance to defuse them before there is anything more than emotional hurt. But, as much as reading Hanif Willis-Abdurraqib makes you want to write about music (seriously, I just read his article on Bright Eyes and have had the first desire to listen to Fevers & Mirrors in about a decade), reading his collection The Crown Ain't Worth Much got me thinking more about his style and formatting than his subject matter. In particular, I love his poems that begin with "The Author Explains..." There's something about the honesty of the italicized text as he speaks to a specific person about something he feels deeply that makes me keep coming back and rereading them. It doesn't feel like reading poetry, it feels like overhearing someone self-omniscient perfectly explain his beliefs to someone eager to learn them. That's not quite what I ended up with in this poem but it's what I was initially aiming for. Sometimes, for me, the prompts I most enjoy are the ones that get away from me and produce something I wasn't expecting when I set out to write it. The Author Explains To His Ex-Fiancee Why He Finally Cut Her Out Of His Life, And How It Has Nothing To Do With How His Boyfriend At The Time Hated Her
Adam Stone I've never had to choose between love and family And you were almost both And it's hard for me to abandon either But it's easy for me to dismiss neither and almost And you were neither love nor family but almost both And your taste was always so neither And your hatred was so almost Christian but neither Christ-like nor religious Like you could almost swallow jesus when we talked but then he'd get all hairball and there's your savior in a puddle of sick on the couch between us You looking at me like my tongue was a sponge or you could pray my heart into a paper towel And I would stare at you because you are not a cat you're a grown-ass human with a daughter the age we were when we met and you have never had to clean up your own mess and maybe you forgot that i am not on-call for you anymore I love a man who has Old Testament problems Like someone burned his city due to a misunderstanding and his mother is a pillar of dust Like his father wants him to save two of every memory they shared so they have something to talk about in the future but lord it looks like it will never stop raining I know you don't understand what i see in him Your neighborhood has been sunny your whole life Except that time you don't speak about from back before you and jesus were on a first named basis Maybe i love the strange weather in genderless eyes and you are so content to sit in your california and cast shade at our cold fronts I haven't abandoned you because i've forgotten what i saw in you I simply can't stop seeing who you used to be and how afraid she would be of who you have become
0 Comments
Leave a Reply. |
InteractionalityAn ongoing conversation between writers and the text that they're reading. Archives
December 2023
Categories
All
|