Juan Felipe Herrera's collection Giraffe On Fire is dense and awesome. It's political and inescapable. It's tight image and unattributed dialogue. I'm going to have to read this book three or four times to properly tell you why it's about. What you should read it to. But read it. The book is divided into five parts. Each with their own style of formatting. The first part starts off with stage directions setting you up for a play. Which had me thinking of when I used to work in the theater. The summer that everything fell apart and the winter where I tried to put it back together but only succeeded in dispersing what had fallen. I have enough poems about the dead boyfriend, not as many about the aftermath without him. Honey Is Sweeter Than Blood Adam Stone I. The stairs don't skin They deskin Your skin on some stair But inertia The bottom is coming Laugh at the innuendo Ouch The lobby is barren Drops of your blood Keep running The green room The mirror Your face is no worse than before the stairs Another staircase Up this time Up No more falling The music is vamp You enter They do not ask about the blood The blood makes sense The audience You sing You die on stage It's scripted They pack you in the empty Coke machine Roll back out Descend the stairs Safely Slowly Off comes the jacket The chain catches on Ow Your knees a planetarium Another actor comes downstairs Lost in the planetarium Fetch the solarcaine The rest of the show you're someone else Scheduled for wheelchair Blanket over your fishnetted lap and legs One more up the stairs One more down Paced You hit your marks You hit your notes Your planetarium is stunning in hot pink fishnets The lobby The crowd The cute guy from the audience You chose him You mocked him You touched his ears His mother -oh god- his mother? His mother takes a picture of you Him glasses Him black pants Him pressed shirt Him teeth so can opener You hot pink fishnets No wheelchair Teeth still remember the shape of braces Expensive teeth Retainer lost They are starting to drift to unique Him college -whew- You college Same college One month You maybe Him see ya You undressing room Mirror too much lipstick Hair looks like gravity suspended Maybe him see ya II. You are not an immediate pedestal. Though he steps on you. Didn't tell anyone how you touched him when you met. How you misread your course schedule and walked into him playing hacky-sack. The 90s hit you on your chest and you let it roll down and rest on your shoe. There are so many feet between you. Your heart a jam band. You'll stop listening to it in a few years. III. You meet someone else He smells like a jam band but looks like Maybe. You do not touch him anywhere. You invite him to your birthday. your 21st birthday It's karaoke night at your usual bar where no one is allowed to tell the bartender you're just turning twenty-one Lightning Literal lightning The kitchen is The Library of Alexandria There is a hard rain falling from every sprinkler in the ceiling Karaoke is finally ruined by something other than bros Your acting professor offers his favorite bar You follow because his directions make no sense A bar across from the lot where you bought your current car The only building there has blacked out wind--- oh IV. Piano The instrument The noise level Your classmates Dancing The only dancing The only under forty You dancing You've got great rhythm Pity you don't know what to do with it Your professor Your glancing at Maybe Your dancing Who would you bring to Plato's retreat Reference to a scene I'm working on Beyond Therapy Christopher Durang He saw you glancing at Maybe Five drinks Maybe more than glancing Shrug Walk to bar Sixth drink Fifty year old somebody stranger Shot Tequila Done Don't see Maybe Drink seven Dance to classmates They are kool-aid in tap water This whole bar is us colored But you can't see anyone you recognize Dance Somebody twirls you Maybe the front door Maybe exit Line dancing now Achy Breaky Heart Right Vine Brush Forward Heel Touch Forward Heel Touch Back Toe Touch Back Toe Touch Left Vine Quarter Turn Left V.
You and Hacky Sack start a poetry journal. You and Maybe work at a renaissance faire. Your house has two beds. One for you. One for the men you're afraid to sleep with. On your twenty-second birthday you've still told neither of them a thing about your heart. They don't know your first real boyfriend died a month before you met them. They don't know that on the nights they don't sleep over you go online and fail to love anyone. You have failed so many people who came back. You invite them both over for drinks and discover they went to high school together. Maybe thinks Hacky Sack is great. Hacky Sack tells you Maybe bullied him in high school. At least you think if they're both gay or bi or whatever anyone is they are unlikely to fuck each other and not you. You selfish. You stupid. Them straight. ish. But straight to you. Maybe knows before you come out to him. Tries to fix you up with irritating gay friend. Apologizes for assuming all gay people would like all other gay people even though you haven't explicitly used the word gay just said that you loved him. He knew. You spend a month with Hacky Sack at a new college. He hasn't left you. He has moved. He sort of took you with him. Four hour trips twice a month. Peacocks in the schoolyard. Bad poetry. Terrible poetry. A girl in his class whose meter is so off you know Hacky Sack must love her. He loves her. She hates you. He loves you. But not like that. She hates you. Like that. She knows. He doesn't. She calls you faggot. Nobody calls you that. You don't even know how to react. They fight. You sleep in your car. He knocks on your window. You sleep in his room. She sleeps in her room. Nobody touches anyone. They break up. She pregnant. They back together. They fuck. They fuck. They fuck. She confesses never pregnant. They fight. They break up. She pregnant. You call her liar. You misogynist. You never liked her. You sabotage. But no she not pregnant this time either. You drive home. He calls you. He drives to your home. You get high. You watch The Wizard Of Oz while listening to Pink Floyd's Dark Side Of The Moon. You cliche. Him cliche. You put your arm around him. He leans in to your arms. You happy. Him drive back to school. Him e-mail. Doesn't call you faggot. Implies it. Never speaks to you again. Maybe calls. Drives to your home. Puts arms around you. Not into you. Friend. Offers to start bullying Hacky Sack for real. You laugh. At him. At self. At laughter.
0 Comments
Leave a Reply. |
InteractionalityAn ongoing conversation between writers and the text that they're reading. Archives
December 2023
Categories
All
|