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Interactionality

Usually poetic conversations between authors and texts.

1. A History Of Smoke

9/1/2017

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Picture


​Visual formatting is important to me, so when I first opened Jon Pineda's Little Anodynes, I was skeptical.  All of his poems are little gutters of words two inches wide. All of his poems. I was skeptical. The quotes on the back of his book are arranged in two two inch gutters. I was skeptical.

But I like his amuse-bouche style memoirettes. Though the poem they inspired ended up being much longer than his.


 ​A History Of Smoke
 
The third time your roommate almost burns
down the house
in a grease fire You wake up
to a smoke filled bedroom Worse than onions
rotting on the kitchen counter Inexplicable
spoons buried in the soil of house plants
                                                                                         You are
gagging awake
There is no fire yet
just smoke
         Get out
         Turn the stove off and douse the pan
obviously before you go to work
smelling like irresponsible
                    Like the failing restaurateur
desperate for insurance Work all day
with that resin of averted tragedy
clinging to what you will later remember as what used to be
your favorite shirt When you get home
blow out each room
Soak the curtains in perfumed soap
Buy a new filter for the vacuum Mop
every surface in the kitchen until every sponge is kombu
Keep the roommate
Evict the behavior
Try and remember
a brand of cigarette that you both hate
the smell of Say parliaments are your father’s
                          whiskers left in the sink Newports are
the last roommate who tried to burn
down your house Not with a grease fire
but with candles and grief
and the haunting of a dead mother Grieving
with smoke Cooking
with smoke Everyone you love is charcoal
briquettes Wood chips at the base
of your temper Everyone kindling
                                                                           Say
camels are tomato flavored
fruit roll ups People forget
tomatoes are fruit Don’t linger on fruit
as an insult Don’t consider yourself
a tomato Don’t imagine
your past as smoke
Say salems are You know what
don’t say salems at all
                                    not because of its proximity to
witches Their burning Their smoke
Don’t say salems
because of course another ex asked you
to buy salems and hide them Openly
gay Closeted smoker Only in emergencies
you were to produce a single salem He already had
a lighter waiting He was a state of constant emergency
You were a telemetry nurse
                     A cigarette machine Say
you never love the fire just
the aftermath The stench Say cling again
but don’t know for certain if you speak
of the lovers or the smell
Stay up all night trying to understand yourself
Lose your sense of chronology until you can only remember
           when you are by the flavor of cigarette wisping or pluming or whatever
word describes the barely visible traces of burning tobacco but fail to
consider the weight left in its tiny wake
Remember the camel lights who lived
in your bed just long enough for you
to quit smoking You hated the smell of camel
lights for a decade
You hated the smell from the moment you met him
You were always a marlboro man
                                    Masculinity dreamed up by an advertising executive
who believed filtered cigarettes were too feminine
The circumcised cock as a cowboy hat Your addiction was
always rock hard They say
you never quit wanting cigarettes
and mostly you think
they’re right After two hours in a dead car
with a stranger who had ruined her life
ruining one of your friend’s life you called the man you stupidly loved
and begged a cigarette for the first time
in ten years The first inhale was like kissing him again
Wrong the moment
your lips parted so you kept them together
for as long as you could
Breathing each other
                                               You made it halfway
through the cigarette before giving him the option of taking it from you
or letting you crush it beneath your shoe
He didn’t want it back
You haven’t wanted a cigarette since
But you buried you face in his pillow
                                                                 every time he left his bed that you slept in
breathing in everything killing him
as if it was keeping you alive
          It was so familiar
The first man you stupidly loved was the same
brand But you were so younger
enough to be happy dying
with each other You couldn’t taste the rot of you
The first day the world turned without him
you slept on the couch with his fucken marlboro
spiced sweatshirt over your face to block out
the unrelenting morning He told you he’d call you
and maybe you’d beach day Or maybe
                        you’d smoke on the patio
until night wisped You waited by the phone
until you couldn’t decide whether you were angry or sad
And when you found out he decided to die without you
you soaked his sweatshirt with the butane of your grief


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    Interactionality

    An ongoing conversation between writers and the text that they're reading.

    Adam Stone is reading multiple collections of poetry each week, and producing a piece of writing or a series of prompts inspired by the text. It might be a poem in the voice of the author. It might be a memory involving the person who suggested the book to him. He might steal the title of a poem and use it to create a collage about his oh-so-inspiring childhood.

    To help keep him accountable, he's asked other writers that he both likes and likes working with to join him in writing their own interaction or two. With their permission, some of their interactions will also be posted here, clearly tagged with their names.

    There might even be interaction between Adam's interactions and an interaction written by someone else. The only rules of this project is to read more poetry and create more art.

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